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06-08-2026     3 رجب 1440

Natrang stages hard-hitting political satire ‘Topian’

June 08, 2026 | BK News Service

Jammu, June 7 Natrang today presented the powerful political satire Topian, written by noted playwright Mani Madhukar and directed by Neeraj Kant, at Natrang Studio Theatre under its weekly Theatre Series 'Sunday Theatre'.

A highly relevant and timely production, Topian offers a sharp critique of opportunistic politicians who change their colours faster than a chameleon to remain in power. The play exposes how political leaders often adopt different ideologies, symbols and appearances to deceive the public, while their fundamental mindset remains unchanged. Through biting satire, the play highlights the theatrical skills, expertise and adaptability employed by such leaders to manipulate public opinion and secure their political interests.
The play reflects upon the many social and political revolutions witnessed throughout human history. While thinkers and philosophers have introduced new political doctrines and governance models, the same faces often continue to occupy positions of power by merely replacing old masks with new ones. They change the colour of their caps, but not their intentions.
Set against the backdrop of two neighbours determined to transform the political landscape, the story follows their search for a genuine alternative. However, every individual they encounter appears in different caps and attire, offering new promises and manifestos. Mistaking each appearance for a different leader with a different ideology, they repeatedly fall victim to deception. Over time, they realize that despite the lofty slogans of socialism and reform, inequality continues to grow, the quality of life deteriorates, and the security of life and property remains uncertain. Gathering courage, they finally expose the person behind the promises, only to discover that beneath the various disguises lies the same individual who had been misleading them all along.
Through this powerful metaphor, the playwright effectively conveys that politicians may change their symbols, alliances and appearances, but often remain driven by the same lust for power. They can be friends and enemies simultaneously, changing equations and confrontations according to political convenience.
Speaking about the play Natrang Director Padamshiri Balwant Thakur said that the play is not just about individual characters, they represent larger social and political forces. The title character “Topian” itself becomes a symbol of changing identities, masks, and political opportunism. The “topi” (cap) functions as a metaphor for ideology, authority, and deception.
The absurdist nature of the play posed a significant challenge for the young actors of Natrang. However, their mature understanding and convincing portrayal of the characters won appreciation from the audience. The roles of the two neighbours were effectively performed by Kushal Bhat and Akash Wadhwan, while Aadesh Dhar provided strong support through his performance.
The lighting and music design were executed by Neeraj Kant, while the presentations were managed by Mahikshit Singh.

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Natrang stages hard-hitting political satire ‘Topian’

June 08, 2026 | BK News Service

Jammu, June 7 Natrang today presented the powerful political satire Topian, written by noted playwright Mani Madhukar and directed by Neeraj Kant, at Natrang Studio Theatre under its weekly Theatre Series 'Sunday Theatre'.

A highly relevant and timely production, Topian offers a sharp critique of opportunistic politicians who change their colours faster than a chameleon to remain in power. The play exposes how political leaders often adopt different ideologies, symbols and appearances to deceive the public, while their fundamental mindset remains unchanged. Through biting satire, the play highlights the theatrical skills, expertise and adaptability employed by such leaders to manipulate public opinion and secure their political interests.
The play reflects upon the many social and political revolutions witnessed throughout human history. While thinkers and philosophers have introduced new political doctrines and governance models, the same faces often continue to occupy positions of power by merely replacing old masks with new ones. They change the colour of their caps, but not their intentions.
Set against the backdrop of two neighbours determined to transform the political landscape, the story follows their search for a genuine alternative. However, every individual they encounter appears in different caps and attire, offering new promises and manifestos. Mistaking each appearance for a different leader with a different ideology, they repeatedly fall victim to deception. Over time, they realize that despite the lofty slogans of socialism and reform, inequality continues to grow, the quality of life deteriorates, and the security of life and property remains uncertain. Gathering courage, they finally expose the person behind the promises, only to discover that beneath the various disguises lies the same individual who had been misleading them all along.
Through this powerful metaphor, the playwright effectively conveys that politicians may change their symbols, alliances and appearances, but often remain driven by the same lust for power. They can be friends and enemies simultaneously, changing equations and confrontations according to political convenience.
Speaking about the play Natrang Director Padamshiri Balwant Thakur said that the play is not just about individual characters, they represent larger social and political forces. The title character “Topian” itself becomes a symbol of changing identities, masks, and political opportunism. The “topi” (cap) functions as a metaphor for ideology, authority, and deception.
The absurdist nature of the play posed a significant challenge for the young actors of Natrang. However, their mature understanding and convincing portrayal of the characters won appreciation from the audience. The roles of the two neighbours were effectively performed by Kushal Bhat and Akash Wadhwan, while Aadesh Dhar provided strong support through his performance.
The lighting and music design were executed by Neeraj Kant, while the presentations were managed by Mahikshit Singh.


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